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The portrait I choose to describe is The Venus of Urbino that hangs in the Galleria degli Uffizi in Florence. It was painted in 1538 by Titian, who was considered to be one of the greatest 16th century Renaissance painters of Venice, Italy. He was born in Pieve di Cadore, Italy, and died in Venice.
The Venus of Urbino depicts a naked young woman, identified with the goddess Venus, who reclines on a couch or bed in the sumptuous surroundings of a Renaissance palace. The painting is extremely fine and indisputably erotic, the expression of her face suggests the state of happiness. I believe, that she has just woken up. The women stares straight at the viewer, unconcerned with her nudity. In her right hand she holds a bunch of flowers whilst her left palm covers her womb, provocatively situated in the centre of the composition. She has beautiful, curly hair falling on her arms. She wears a bracelet on her wrist and a small ring on the little finger of her left hand. In her legs sleeps crawled dog symbolising fidelity.
The painting was donated to Guidubaldo II della Rovere, the Duke of Urbino. It had originally decorated cassone, a chest traditionally given in Italy as a wedding present. In the background I can see two maids who rummage in a similar chest, apparently in a search of Venus's clothes. There is a certain intimacy of this scene of almost domestic simplicity which places the whole composition in a warm, cosy reality. One woman wears white dress, the second red one.
The author painted his heroin in a fascinating light. Minor characters are more shadowy but they are also depicted quite powerfully even though the focus is, inevitably, on the central character. She is portrayed with great sensitivity. The heroine is particularly colourful in little chiaroscuro light and we see how her character is shaped and moulded by events. Some say the author illustrates his motifs in a black-and-white fashion but the images he creates to illuminate her will remain with me forever due to its evocative and peerless way of painting.